ASSOCIATE PROFESSOR: MEI,CHIN LIU
ASSOCIATE PROFESSOR:MEI,CHIN LIU
TITLE:
Associate Professor / Director, Hwa Kang Museum
Highest education: Ph.D. in Art, National University of Tsukuba, Japan
ACADEMIC EXPERTISE：
Art History, Art Theory, Japanese Thought
E-MAIL: lmq3@ulive.pccu.edu.tw
EXTENSION：17601
RESEARCH RESULTS：
Professional Achievement Profiles
2022.1.〈The aesthetic expression of “correlative thinking” in prehistoric painted pottery〉，《Ceramics》，Taiwan Ceramic Society Bulletin，Vol. 41，No.1，p1-8。
2022.1.〈Five thousand years of Earthen Magnificence-Historical ceramics in the Hwa Kang Museum-〉，《Ceramics》，Taiwan Ceramic Society Bulletin，Vol. 41，No.1，p9-18。
2021.10〈Looking for Pu Xin-yu at the Top of Yangming Mountain - Talking about Pu Xin-yu's Calligraphy and Paintings in Huagang Museum〉，《Art & Collection》，No.349，p64-75。
2021,06.〈Modern Chinese People’s Artistic Creation in the Spirit of “Commonness in Difference”: Examples of Lang Jingshan’s China-Style Photography and Zhang Daqian’s Abstraction of Splash Painting〉，Journal of Yuannan Institute of Socialism，Jun.2021, No.2 Sum.90, Vol.23, p88-99。
2019.10〈On Contemporary Revival of Chinese Cultures Enlightened by Daqian’s Art of Painting〉，Journal of Yuannan Institute of Socialism, Sum.2019, No.3, Vol.21, p104-120。
2017.09，〈A Comparative Study and Explanation of the Painting Two Apes On a Tree, Drawn by Sun Jia-Qin and Commentary by Chang Dai-Chien〉，《Bulletin of National Museum of History》,Vol.290, p60-69, Taipei。（TSSCI）
2016.11，〈A Reflection of the Modern Ink Painting of the Lingnan School〉，《Bulletin of National Museum of History》，Vol.280, p12-23, Taipei。（TSSCI）
2015.11.「Dr. Zhang Qi-Yun and the Modern Chinese Renaissance」《Bulletin of National Museum of History》, No.268, 《Bulletin of National Museum of History》，p52-65, Taipei。（TSSCI）
2014.09〈Modernization of the Traditional ‘Pen and Ink’〉，《Journal of Chinese Literature of National Taipei University》, No.16, p91-116, Taipei。
2014.04.01「The Chinese and Western Portraits Informed by Cultural Differences」, 『Monthly Review of Philosophy and Culture』，No.422(Vol.36 no.7)，The Editorial Board of Universitas, P121-142，Taipei。 （A&HCI）
2013.03.31：〈Images of Confucius: Tradition and Modernity in Confucianism〉，《International Confeence about the Development of Confucian Art in Eastern Asia》，Graduate School of Japanese Art History, University of Tsukuba, Japan
，p39-53。
2013.03，「On Zhang Da-qian’s Painting as Culture of Tradition and Modernity」，《Journal of Nei jiang Normal University》Vol.28, No.3, p25-29，Nei Jiang China。
2011.09，「Modern Interpretation of Chinese Artistic Thinking——From "Imagery" to "Gestalt"」，《Journal of Chinese Literature of National Taipei University》, No.10，p67-94，Taipei。
2009.07，「Henri Lefebvre’s ‘Critique of Everyday Life’ and The Secularization in the Modern Art」『Monthly Review of Philosophy and Culture』，No.422(Vol.36 no.7)，The Editorial Board of Universitas, p133-158，Taipei。 （A&HCI）
2009.06，<An Analysis of the Different Evaluations of Chang Dai-Chien’s Art, and a General Discussion on the Misunderstanding of Imitation and Impression>」，《Bulletin of National Museum of History》，No. 191, p23-34，Taipei。（TSSCI）
2008.04，「Li Xia’s Figure Painting Style and Its Development(2)」，《Bulletin of National Museum of History》，No. 177期，《Bulletin of National Museum of History》，p64-73，Taipei。（TSSCI）
2008.03，「Li Xia’s Figure Painting Style and Its Development(1)」，《Bulletin of National Museum of History》，No. 176, p88-97，Taipei。（TSSCI）
2007.12，「Ukiyo-e and the Changes of Western Art」，『Forum for Historical Artifacts』, No.5, p5-40，National Museum of History, Taipei。（TSSCI）
2007.07，「From ‘The Last Supper’s to ‘A Tribute to Women’ to Discuss the Art Turn in the Modern West 」，《Bulletin of National Museum of History》，No.168, p42-57，Taipei。（TSSCI）
2005.04「From Zhu Weibai's 80th Retrospective Exhibition to Discuss the Transcendent Creation of "Simple Truth" and "Colorless Beauty" in His Art
」，『Modern Art』Bimontyly,No.119, p26-39，Taipei 。（TSSCI）
2005.02「Individuality and the Spirit of the Times in Chu Wei-Bai’s Art」，『Modern Art』Bimontyly，No.118，，p70-78，Taipei 。（TSSCI）
Mei-chin Liu．Shyang-Ling Wang，1997.01,「research on “Sitting up at Night” by Shen Chou and the Thought of Chuan Tzu’s Chi Wu Luen 」，『The national Palace Museum Research Quarterly』Vol.14, No.2, p127-166，Taipei。
Mei-chin Liu．Shyang-Ling Wang，1996.05,「Shen Chou’s “Sitting up at Night” and Taoist Aesthetic Consciousness」, 『Journal of Chinese Literature of Soochow University』, No.2, p211-235，Taipei。
1992.12,「On the Artistic Beauty of Shen Zhou's Combination with Painting
」,『The National Palace Museum Monthly of Chinese Art』Issue No.117, p126~133, Taipei。
(2) seminar paper
2012.10.17，「The Intersection of Zhang Daqian's Painting Tradition and Modernity」, Nèijiāng Normal University, Sichuan Zhang Da-qian Research Center, 《2012’ Cross-strait Zhang Daqian Symposium 「Inheritance and Innovation—Master Zhang Daqian」》，p40-51。
(3) Books
2010.07，《Modern Interpretation of Artistic Thinking》，『Artifacts and History Series 64』，National Museum of History, Taipei, p1-309。（ISBN 978-986-02-4124-2）(Chinese)
Edited by Wang Weiyong, co-authored by Liu Mei-chin and others, 2010.09，《Art Appreciation and Practice》, National Cheng Kung University General Education Series, p937~111, Taipei，Li Ren Press。（ISBN 978-986-6178-26-9）(Chapter) (Chinese)
2005.04，『Art Principles and Practice』，p1-144，Taipei，Wu Nan Press。(Chinese)（ISBN 957-11-3952-1）
1990.03,『Yamaga soko』，p1-179，Dong-da Book Publishing Company, Taipei. (Chinese)
Mei-Chin Liu．Shyang-Ling Wang，1999.09,『ogyu sorai』，p1-408，Dong-da Book Publishing Company, Taipei. (Chinese)。
(4) Master and doctoral dissertation
1995.03『Shen Zhou's Paintings and His Artistic Thoughts』, Ph.D Dissertation in Art, National University of Tsukuba, Japan. (Chinese)
1986.06『Yamaga Soko's Japanese Chineseism
』, MA Thesis in Japanese Literature, Soochow University. (Chinese)
TITLE:
Associate Professor / Director, Hwa Kang Museum
Highest education: Ph.D. in Art, National University of Tsukuba, Japan
ACADEMIC EXPERTISE：
Art History, Art Theory, Japanese Thought
E-MAIL: lmq3@ulive.pccu.edu.tw
EXTENSION：17601
RESEARCH RESULTS：
Professional Achievement Profiles
2022.1.〈The aesthetic expression of “correlative thinking” in prehistoric painted pottery〉，《Ceramics》，Taiwan Ceramic Society Bulletin，Vol. 41，No.1，p1-8。
2022.1.〈Five thousand years of Earthen Magnificence-Historical ceramics in the Hwa Kang Museum-〉，《Ceramics》，Taiwan Ceramic Society Bulletin，Vol. 41，No.1，p9-18。
2021.10〈Looking for Pu Xin-yu at the Top of Yangming Mountain - Talking about Pu Xin-yu's Calligraphy and Paintings in Huagang Museum〉，《Art & Collection》，No.349，p64-75。
2021,06.〈Modern Chinese People’s Artistic Creation in the Spirit of “Commonness in Difference”: Examples of Lang Jingshan’s China-Style Photography and Zhang Daqian’s Abstraction of Splash Painting〉，Journal of Yuannan Institute of Socialism，Jun.2021, No.2 Sum.90, Vol.23, p88-99。
2019.10〈On Contemporary Revival of Chinese Cultures Enlightened by Daqian’s Art of Painting〉，Journal of Yuannan Institute of Socialism, Sum.2019, No.3, Vol.21, p104-120。
2017.09，〈A Comparative Study and Explanation of the Painting Two Apes On a Tree, Drawn by Sun Jia-Qin and Commentary by Chang Dai-Chien〉，《Bulletin of National Museum of History》,Vol.290, p60-69, Taipei。（TSSCI）
2016.11，〈A Reflection of the Modern Ink Painting of the Lingnan School〉，《Bulletin of National Museum of History》，Vol.280, p12-23, Taipei。（TSSCI）
2015.11.「Dr. Zhang Qi-Yun and the Modern Chinese Renaissance」《Bulletin of National Museum of History》, No.268, 《Bulletin of National Museum of History》，p52-65, Taipei。（TSSCI）
2014.09〈Modernization of the Traditional ‘Pen and Ink’〉，《Journal of Chinese Literature of National Taipei University》, No.16, p91-116, Taipei。
2014.04.01「The Chinese and Western Portraits Informed by Cultural Differences」, 『Monthly Review of Philosophy and Culture』，No.422(Vol.36 no.7)，The Editorial Board of Universitas, P121-142，Taipei。 （A&HCI）
2013.03.31：〈Images of Confucius: Tradition and Modernity in Confucianism〉，《International Confeence about the Development of Confucian Art in Eastern Asia》，Graduate School of Japanese Art History, University of Tsukuba, Japan
，p39-53。
2013.03，「On Zhang Da-qian’s Painting as Culture of Tradition and Modernity」，《Journal of Nei jiang Normal University》Vol.28, No.3, p25-29，Nei Jiang China。
2011.09，「Modern Interpretation of Chinese Artistic Thinking——From "Imagery" to "Gestalt"」，《Journal of Chinese Literature of National Taipei University》, No.10，p67-94，Taipei。
2009.07，「Henri Lefebvre’s ‘Critique of Everyday Life’ and The Secularization in the Modern Art」『Monthly Review of Philosophy and Culture』，No.422(Vol.36 no.7)，The Editorial Board of Universitas, p133-158，Taipei。 （A&HCI）
2009.06，<An Analysis of the Different Evaluations of Chang Dai-Chien’s Art, and a General Discussion on the Misunderstanding of Imitation and Impression>」，《Bulletin of National Museum of History》，No. 191, p23-34，Taipei。（TSSCI）
2008.04，「Li Xia’s Figure Painting Style and Its Development(2)」，《Bulletin of National Museum of History》，No. 177期，《Bulletin of National Museum of History》，p64-73，Taipei。（TSSCI）
2008.03，「Li Xia’s Figure Painting Style and Its Development(1)」，《Bulletin of National Museum of History》，No. 176, p88-97，Taipei。（TSSCI）
2007.12，「Ukiyo-e and the Changes of Western Art」，『Forum for Historical Artifacts』, No.5, p5-40，National Museum of History, Taipei。（TSSCI）
2007.07，「From ‘The Last Supper’s to ‘A Tribute to Women’ to Discuss the Art Turn in the Modern West 」，《Bulletin of National Museum of History》，No.168, p42-57，Taipei。（TSSCI）
2005.04「From Zhu Weibai's 80th Retrospective Exhibition to Discuss the Transcendent Creation of "Simple Truth" and "Colorless Beauty" in His Art
」，『Modern Art』Bimontyly,No.119, p26-39，Taipei 。（TSSCI）
2005.02「Individuality and the Spirit of the Times in Chu Wei-Bai’s Art」，『Modern Art』Bimontyly，No.118，，p70-78，Taipei 。（TSSCI）
Mei-chin Liu．Shyang-Ling Wang，1997.01,「research on “Sitting up at Night” by Shen Chou and the Thought of Chuan Tzu’s Chi Wu Luen 」，『The national Palace Museum Research Quarterly』Vol.14, No.2, p127-166，Taipei。
Mei-chin Liu．Shyang-Ling Wang，1996.05,「Shen Chou’s “Sitting up at Night” and Taoist Aesthetic Consciousness」, 『Journal of Chinese Literature of Soochow University』, No.2, p211-235，Taipei。
1992.12,「On the Artistic Beauty of Shen Zhou's Combination with Painting
」,『The National Palace Museum Monthly of Chinese Art』Issue No.117, p126~133, Taipei。
(2) seminar paper
2012.10.17，「The Intersection of Zhang Daqian's Painting Tradition and Modernity」, Nèijiāng Normal University, Sichuan Zhang Da-qian Research Center, 《2012’ Cross-strait Zhang Daqian Symposium 「Inheritance and Innovation—Master Zhang Daqian」》，p40-51。
(3) Books
2010.07，《Modern Interpretation of Artistic Thinking》，『Artifacts and History Series 64』，National Museum of History, Taipei, p1-309。（ISBN 978-986-02-4124-2）(Chinese)
Edited by Wang Weiyong, co-authored by Liu Mei-chin and others, 2010.09，《Art Appreciation and Practice》, National Cheng Kung University General Education Series, p937~111, Taipei，Li Ren Press。（ISBN 978-986-6178-26-9）(Chapter) (Chinese)
2005.04，『Art Principles and Practice』，p1-144，Taipei，Wu Nan Press。(Chinese)（ISBN 957-11-3952-1）
1990.03,『Yamaga soko』，p1-179，Dong-da Book Publishing Company, Taipei. (Chinese)
Mei-Chin Liu．Shyang-Ling Wang，1999.09,『ogyu sorai』，p1-408，Dong-da Book Publishing Company, Taipei. (Chinese)。
(4) Master and doctoral dissertation
1995.03『Shen Zhou's Paintings and His Artistic Thoughts』, Ph.D Dissertation in Art, National University of Tsukuba, Japan. (Chinese)
1986.06『Yamaga Soko's Japanese Chineseism
』, MA Thesis in Japanese Literature, Soochow University. (Chinese)